@article{oai:nodai.repo.nii.ac.jp:00000324,
 author = {若松, 美智子 and WAKAMATSU, Michiko},
 issue = {2},
 month = {2016-04-20},
 note = {作家石牟礼道子の名前は水俣病と結び付けられ,彼女の作品は告発文学として一般に受け入れられることが多い。しかし石牟礼文学の真骨頂はその高い叙情性,詩情性にあることを,『椿の海の記』の分析を通して示す。幼児期に幼女の目でとらえた人の世の悲しみの諸相の中心に,祖母である盲目の狂女の存在があり,彼女と幼女であった道子との魂の交感が石牟礼の美学の中心にあることを,この自伝的作品は示している。幼時のかなしみの原体験を美へと昇華せねばならない必要性が石牟礼の創作欲の源になっている。本論文では『椿の海の記』の音楽的構成,自然風景描写,演劇的想像力といった手法と,この作品のいくつかの主題,神話的世界観,差別されるものの世界,祖母おもかさま,生命のみなもとへの希求といったモチーフを例示しながら,石牟礼文学の美の世界の内実をしめす。それは他者のかなしみを自分の悲しみとして受け入れる彼女の共感能力に由来する,悲しみの美学である。不知火海沿岸に生きる無辜の民の苦しみかなしみや,狂女の不条理の世界を描く石牟礼は,背中あわせに人間社会の権力の支配構造の不条理をも照らし出す。社会から差別されるものが生きるもう一つの世界,それは海と空と大地に連なる根源的な魂の世界に通じる。その魂の世界に生きる弱者の逆転の生を,彼女はかなしみの中に咲く花として描くのである。, The name of Michiko ISHIMURE is often connected with Minamata Disease, and her works are easy to be accepted as literature of accusation. This paper indicates, against such an assumption, that the true worth of Ishimure literature consists in its genuine poetic nature and lyricism, through analyzing Story of the Sea of Camellia. This autobiographical work depicts aspects of sorrow and agony of the people who lived along the seacoast of the southern Kyusyu. The innocent and acute eyes of the infant Michiko witnessed the absurdity and sadness of the world, and she kept them in the depth of her soul. The essence of the poet's aesthetics is depicted by the affectionate communion of the two souls, an infant girl and her blind and mad grandmother, which is the source of her creativity. In this paper I illustrate some methods taken by this work, such as musical construction, effects of nature description, and dramatic imagination, as well as the main motifs of this work, such as those of the people's mythological world, the world of the discriminated people, her grandmother named Omokasama, and of the infant's passionate longing to return to the primordial life. Through all of these illustrations I make my points that the beauty expressed in Ishimure literature is deeply engraved by the aesthetics of sorrow which is derived from the poet's acute capability of sympathizing with others' grief. Her aesthetics of sorrow reversely reveals the cruelty of the ruling structure of modern society. She wants another world to live, together with the depressed and the exploited, with her beloved grandmother. It is the world where the sad souls live in concord with nature, between the sea and the sky, surrounded by the spirits of the land. She sees there the rebirth and joy of the depressed, by way of depicting a beautiful flower unfolding amidst sorrow., E, 4, KJ00005049278, 論文, Article},
 pages = {107--119},
 title = {石牟礼道子の美の世界 :『椿の海の記』を中心に},
 volume = {53},
 year = {},
 yomi = {ワカマツ, ミチコ}
}